Copy by Robert Zielasco D/EN

Service Description

The intellectual aspect of the drawing, the black and white contrasts, is contrasted with the fine color gradation, the spontaneity of emotion. Layer by layer, colors are applied by pouring, overlaying and partially removed again. Different materials are connected to each other or contrasted with each other. The Asian approach of painting the painting surface lying on the floor. First pour the paint, then paint with a brush. The movements of the water are contrasted with vegetative, exact forms. A balance of formal ideas and spontaneous painting including chance. An attempt is made to further develop the feeling for composition, for the laws of the surface, the line, the color and the graphic elements. Only then can content be brought freely and spontaneously onto the surface, the picture. With alchemical curiosity, we will try out the mixture of different materials and the game with chance, using the liveliness and vitality of the processual and experimental that is inherent in it. Daily individual discussions and discussion of the work in the group. Languages: German/English. List of materials 4-5 canvases, minimum size 60x60cm Large and small yoghurt pots, 6 glass jars Water spray bottle Acrylic paints and if you want, oil paints (white + various) Facade paint Lots of odorless turpentine is a must, spirit, structural paste, bitumen (tar in the form of underbody protection for cars). Structural paste A and or B Finds and sand or ash. Otherwise oil paints or acrylic paints, brushes, spatulas and curiosity about alchemical experiments with material and color.